Spiritual Archives. Communication, Healing and Politics of Performance

Authors

Keywords:

critical spirituality, performance art, performance as research, healing, politics

Abstract

In this essay, I present the concept of “spiritual archives” as a relevant and innovative tool to analyze and critically understand performance's political power and healing potency. I argue that this concept contributes to the discussion about our ways of categorizing sources of knowledge, which means that the spiritual archives are an episteme, a legitimate way to obtain information about the world. First, I develop the concept in the context of the discussion about “valid” sources of information for research in Performance Studies, which comprise, so far, the archive and the repertoire. Then, I explain four characteristics of spiritual archives by applying the concept in an analysis of my performance art piece Medium. I end by explaining human communication in the context of spiritual archives and their political potency.

References

Alexander, M. Jacqui. 2006. Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred. First Edition. Durham N.C.: Duke University Press Books.

Anzaldua, Gloria. 2015. Light in the Dark/Luz En Lo Oscuro: Rewriting Identity, Spirituality, Reality. Edited by AnaLouise Keating. Bilingual edition. Durham, North Carolina: Duke University Press Books.

Bissell, Bill, and Linda Caruso Haviland, eds. 2018. The Sentient Archive: Bodies, Performance, and Memory. Middletown, Connecticut: Wesleyan University Press.

Brennan, Barbara. 1993. Light Emerging: The Journey of Personal Healing. New York.

______________. 1988. Hands of Light: A Guide to Healing Through the Human Energy Field. Reissue edition. Toronto; New York: Bantam.

Feick, Melissa. 2018. A Radical Approach to the Akashic Records: Master Your Life and Raise Your Vibration. Bowker.

Hartman, Asher. 2020. Mad Clot on a Holy Bone: Memories of a Psychic Theater. California: X Artist-s Books. https://www.xartistsbooks.com/books/mad-clot-on-a-holy-bone-memories-of-a-psychic-theater.

gurudev, siri. “Generosidad utópica, el poder de la performance” (247-259). Koeltzsch, Grit Kirstin, and Renata Lima, eds. 2019. Performances culturales en América Latina: estudios de lo popular, género y arte. San Salvador de Jujuy, Argentina: Purmamarka.

Gómez-Peña, Guillermo. Ethno-Techno: Writings on Performance, Activism and Pedagogy. Edited by Elaine A. Peña, Routledge, 2005.

Jones, Omi Osun Joni L. 2002. “Performance Ethnography: The Role of Embodiment in Cultural Authenticity.” Theatre Topics 12 (1): 1–15. https://doi.org/10.1353/tt.2002.0004.

Hysteria. “Los campos del dolor, proyecto de arte vivo | Hysteria.” Accessed February 11, 2022. http://hysteria.mx/los-campos-del-dolor-proyecto-de-arte-vivo/.

Howe, Linda. 2010. How to Read the Akashic Records: Accessing the Archive of the Soul and Its Journey. Boulder, Colorado: Sounds True.

___________. 2016. Healing Through the Akashic Records: Using the Power of Your Sacred Wounds to Discover Your Soul’s Perfection. Reprint edition. Boulder, Colorado: Sounds True.

Howell, Anthony, and A. Howell. 1999. The Analysis of Performance Art: A Guide to Its Theory and Practice. London: Routledge.

Khúc, Mimi. 2019. “Guest Editor’s Note for Open in Emergency, 2nd Edition.” Asian American Literary Review 10 (2). https://www.aalrmag.org/shop/p/open-in-emergency.

Lara, Ana-Maurine. 2020. Queer Freedom: Black Sovereignty. Albany: SUNY Press.

McMillan, Uri. 2015. Embodied Avatars: Genealogies of Black Feminist Art and Performance. New York: NYU Press.

Pabón, Consuelo. “Actos de Fabulación. Arte, Cuerpo y Pensamiento.” Investigaciones Sobre Arte Contemporáneo En Colombia: Proyecto Pentágono, Ministerio de Cultura, 2000, pp. 69–114.

Pathwork Lectures 1996 Edition. n.d. https://pathwork.org/lecture-categories/pathwork-lectures-1996-ed/.

Pérez, Laura E. 2019. Eros Ideologies: Writings on Art, Spirituality, and the Decolonial. Illustrated edition. Durham; London: Duke University Press Books.

Philip, M. NourbeSe, and Setaey Adamu Boateng. 2011. Zong! 1st edition. Middletown, Connecticut: Wesleyan University Press.

Philip, NourbeSe, and Jordan Scott. 2019. Sycorax, spirit, and “Zong!” Jacket2. https://jacket2.org/interviews/sycorax-spirit-and-zong.

Pollock, Griselda. 2009. “Art/Trauma/Representation.” Parallax 15 (1): 40–54. https://doi.org/10.1080/13534640802604372.

Sharpe, Jenny. 2020. Immaterial Archives: An African Diaspora Poetics of Loss. Evanston, Illinois: Northwestern University Press.

Shier, Susann Taylor. 2005. Soul Mastery: Accessing the Gifts of Your Soul. First Edition. Boulder, Colo.: Soul Mastery.

Silva, Mari. 2020. Akashic Records: Unlocking the Secret Universal Knowledge and Nature of the Akasha Including Prayer, Guided Meditation, and Akashic Tarot Reading. Independently published.

Singh, Julietta. 2018. No Archive Will Restore You. Santa Barbara, CA: Punctum Books.

Sparrer, Insa. 2013. Enfoque de solución en constelaciones sistémicas. 2013th ed. México, DF: Herder.

Tate, and Rachel Taylor. “‘TRANSFERENCE ZONE’, Vito Acconci, 1972.” Tate, Dec. 2008, https://www.tate.org.uk/art/artworks/acconci-transference-zone-t13178.

Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Second Printing edition. Durham: Duke University Press Books.

___________. 2010. “Save As... Knowledge and Transmission in the Age of Digital Technologies.” Imagining America, no. 7: 29.

Teish, Luisah. 2021. Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals. Reprint edition. HarperOne.

Tinsley, Omise’eke Natasha. 2018. Ezili’s Mirrors: Imagining Black Queer Genders. Durham: Duke University Press Books.

Todeschi, Kevin J. 1998. Edgar Cayce on the Akashic Records: The Book of Life. Second Printing edition. Virginia Beach, Va: A.R.E. Press.

Downloads

Published

2023-12-07

Issue

Section

Articles