Theology and Belief in Digital Speech Acts and Online Protests: A Singapore Case Study

Authors

  • Alvin Eng Hui Lim National University of Singapore

Abstract

This article examines the relationship between theology, belief and speech acts. Translated onto or directly performed on digital platforms, speech acts influence the spatial arrangement of protest, especially when such protest concerns theology and belief. Digital platforms such as Facebook and online blogs provide protestors the medium to disseminate and proliferate their ideology, on both the right and the left of the political spectrum. Drawing from the theoretical perspectives of Giorgio Agamben
and Shoshana Felman, this study discusses how a network of Christian churches or church affiliated groups and individuals use the internet to counter-perform and protest against the LGBTQ community in Singapore. When such groups theatricalise their objections to any mass assembly of the LGBTQ community and their supporters, the uneasy relationship between theology, state governance, and society plays out in
contested ways through offline and online assemblies. Observing the recent 2016 US presidential election and the dissemination of conservative ideology online, the Singapore case study shows a connection between the Christian theology underpinning US politics and the spread of these ideas across the Pacific Ocean through online gestures, tweets, web articles, and digital videos.

Author Biography

Alvin Eng Hui Lim, National University of Singapore

Alvin Eng Hui Lim is a performance, religion and theatre researcher. He holds a PhD in Theatre Studies from the National University of Singapore and King’s College London. He is currently Senior Tutor at the Department of English Language and Literature at
the National University of Singapore. He is also the Deputy Director and Technology and Online Editor (Mandarin) of the Asian Shakespeare Intercultural Archive (A|S|I|A, http://a-s-i-a-web.org/), and Editor of Theatre Makers Asia (http://tma-web.org/). He has
published on Singapore theatre, religious practices, and digital archiving. He is also a member of the “After Performance” working group, which explores experimental modes of writing on performance and co-authorship.

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Published

2017-12-12